The anthology for the best new writing & artwork from the universities of Cambridge & Oxford.
Since 1992, The Mays has published an annual selection of the best and most exciting new writing and artwork from students at the universities of Cambridge and Oxford.
Three friends at Cambridge, Peter Ho Davies, Adrian Woolfson and Ron Dimant, came together to create The Mays in 1992. Until 2003, the publication was split into two separate anthologies (for prose and poetry), after which point it became a single anthology. Based at the University of Cambridge, the anthology is still edited by students and published by Varsity Publications.
The Mays is broader in scope than most university literary projects: it is sold in bookstores and by international delivery. The book is also distributed to prominent U.K. literary agents. Each year invited guest editors — usually prominent authors, poets or artists — contribute a preface to the anthology and take part in the selection process.
See HERE for a list of previous student and guest editors.
Over the years, The Mays has earned a reputation for picking out the brightest new artistic talent. Nick Laird was a former student editor, and The Mays is also widely credited for launching the career of novelist Zadie Smith. Literary agencies first took notice of Smith after seeing her story ‘Mrs. Begum’s Son and the Private Tutor’ in the 1997 collection. When Smith returned to guest edit The Mays in 2001, her quip “maybe in a few years this lot will have me out of a job” offered a proverbial incentive to future contributors.
PRAISE FROM OUR GUEST EDITORS
SEAMUS HEANEY (1993) “…a reassuring sense that the practice of poetry survives as its own reward.”
STEPHEN FRY (1994) “I do not think that when I was an undergraduate I was capable of writing any short story that would have been worthy of inclusion in this book. Reading some of these stories for a second time, I am not sure that I am capable now.”
TED HUGHES (1995) “I admire all these poems …”
ZADIE SMITH (2001) “Maybe in a few years this lot will have me out of a job”
NICK CAVE (2002) “I found the pieces in turn confounding, frustrating, exciting and inspiring”
ALI SMITH (2003) “A witty book from start to finish”
PHILIP PULLMAN (2004) “It’s encouraging to a lifelong fan of narrative to find such talent among the younger generation”